Immersive installation at Hazelhurst Regional Gallery
Cementa22, a huge tree in the Hall, a choir, a procession, Wiradjuri Language
The Serpent, the weather, a salvaged tree
Artwork for action on climate
art and science collaboration on the dragon lizard C. mirrityana for Art of Threatened Species
A memorial for the end of coal
The Art of Threatened Species- first field trip
Performance and installation for Clandulla State Gallery Survey II.
Engaging community for a weekend of performance, music and installation
Rehearsing NatureLovers for Planet Nowra Bundanon Trust 2017
Installation and children’s workshop for the exhibition “Wonder: contemporary art for children” Hazelhurst Regional Gallery Sydney
A whole crushed house dumped in the Royal National Park
This iteration draws on the work currently touring and this location – at the backstage door of the grand Leichhardt Town Hall
Residency and performance in Fall Norway
We collaborate with 153 bird species, 153 musicians, and 30 children to take on Big Coal
Explores the issues surrounding coal seam gas
iBook documenting our installation BIRD CRY that was destroyed by fire
Made in response to The Bimblebox Nature Refuge and Big Coal developments in Queensland
Timbers stitched with speaker wiring for sound
Alison holds a contact mic to Rhonda's stomachs at Bimblebox
Studio fire materials, interactive soundtrack
When lightning burnt our studio to the ground we saw our artworks reduced to ashes, our tools to rust.
On the Wollondilly River at Goulburn
"... focus on the terrible finality of extinction..."
Installation for "Climate Changing Climate" Goulburn Regional Gallery and The Tin Sheds
Installation for "Grounded; art, activism, environment" Campbelltown
A floating work easvedrops on a river and the sounds of the human body
Eavesdropping on Koi/Carp in a Japanese Garden
40 Australian native birds’ nests, interactive soundtrack, wiring ‘tree’ or stave.
A chanting city of bones.
A winding, sounding chain of twigs leads through a complex of installations in the rooms of an old house.
Documenting a performance collaboration between sculptors and musicians
An installation that was also a stage set and sculptures that were also costumes– this project for the 1988 Adelaide Festival was the culmination of Alison’s 5 month artist-in-residency at the Jam Factory.
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